
Oil on Canvas by Kerry Webb
Cookworthy Knapp (nearly there)
Kerry Webb
I am a landscape artist, based in West Berkshire. I take my inspiration mainly from rural and coastal landscapes, and the transformative effects that seasonal and meteorological change have on these. I have a particular fascination with human intervention on the landscape and the resulting tension between permanence and impermanence: ancient monuments and architectural ruins being a favourite theme. I am intrigued by the way these become absorbed into the surrounding environment over time, while maintaining some presence of their own. I work in oils and acrylics, both in my studio and en plein air. I studied for an undergraduate degree in English with Art at Chichester in the early 1990’s, focusing mainly on sculpture, and only returned to painting in 2020.
I am a member of the Reading Guild of Artists (RGA), the Henley Art and Crafts Guild (HACG) and Open Studios West Berkshire and North Hampshire. I exhibit regularly with the RGA and HACG, and have also had work accepted for exhibition at the Royal Birmingham Society of Artists, Penlee House Gallery & Museum, Penzance, and ‘The Artist and Leisure Painter (TALP) Open’ at Patchings Art Centre, Nottingham (2022, 2023, 2024). My painting ‘Wilder’s Folly after the Rain’ was shortlisted for the final round of judging for the 2022 Royal Academy of Arts’ Summer Exhibition and I had work on show at the recent SAA Artists of the Year '24 Winners & Finalists exhibition in Nottingham. I have also had work featured in the Artists & Illustrators magazine ‘Artwork of the Month’ Editor’s Picks online competition (February 2022), in Leisure Painter magazine (August 2023 and June 2024) and in the journal of the Captain Cook Society. In June 2022 I had a fun day out at Royal Ascot participating as a ‘Wild Card’ artist in Series 8 of Sky Arts ‘Landscape Artist of the Year’.’
This clump of beeches stands close to the border between Devon and Cornwall by the side of the A30 near Lifton, and are often fondly referred to the 'nearly home' or 'nearly there' trees. Known as
Cookworthy Knapp the copse forms an iconic landmark and a sure sign that the end of the journey is in sight.Oil on Canvas
44x54cm
Framed in an open frame