Past Exhibition
Memory And Emotion
Where do we go and what do we draw from when direct observation is removed? There is no single answer to this question, but it is often an influence for artwork and artists that seek to be less representational and instead lean towards the abstract. How much, or how little is needed in order to catch “The Spirit of the Mass”? (Ian Watson) How can an exploration of the relationships between colour, surface texture, translucency and opacity create the intoxicating atmosphere of an engaging story? (Mark Jessett) How is one influenced by the issues that have a strong meaning to them? (Jenny Smy) How is a person’s connection to a place expressed as they experience it over changing time? (Sam Boughton & ashar) And how do we pull together the pieces, things collected and held, as we create? (Lisa Parkyn) These are works that whilst not necessarily representative of what the eye interprets at the surface level, are no less a way of seeing and experiencing the subject portrayed. And this is what these spaces offer: an alternative way of experiencing, a model for interpreting the world around us that is not limited or prescriptive, that invites us to see through innumerable lenses be they time, emotion, colour or energy. Join us for our August exhibitions as we continue our Bursary Programme and welcome a group of artists working in abstraction, with works that reflect their individual responses to the world around them. Works of Mark Jessett, Lisa Parkyn, Jenny Smy, ashar, Ian Watson and Sam Boughton.
📅 6 – 30 August 2022
Launch
📍 Artizan Printmaking & Sculpture Gallery
⚫ Exhibition Finished
Related Exhibitions
Participating Artists
Sam Boughton
I am an expressive painter who creates semi-abstract landscape paintings inspired by my surroundings here in the Southwest. I hold a BA in Illustration from UWE and an MA in Illustration from the Cambridge School of Art. I am fascinated by the way light, weather and seasons constantly change our environment. When I feel a strong connection with a particular place, I make regular visits to experience it at different times. The more I study the same place, the more I become compelled to draw and make marks in different ways. These regular visits push me to see with fresh eyes a place that is so familiar. My process begins outdoors with location studies using large format sketch books. I work fast and fearlessly in inks and pastels to capture the movement and energy of the particular moment and my emotional reaction to it. I also use sidenotes and collect found objects scattered around me, which later become inspiration for my colour palette. Back in the studio, I use my studies as a springboard for more developed pieces. Working primarily on the floor, I like to move freely around the canvas or board adding multiple layers of rich colour to reproduce what I saw and felt in the landscape. Using a combination of acrylic, emulsion and pastels I physically pour, drip and splash the paint adding expressive marks which bring contrast, energy and depth to the final piece.
Art
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Innumerable Lenses
Exploring the Abstract
Where do we go and what do we draw from when direct observation is removed? There is no single answer to this question, but it is often an influence for artwork and artists that seek to be less representational and instead lean towards the abstract.
How much, or how little is needed in order to catch “The Spirit of the Mass”? (Ian Watson)
How can an exploration of the relationships between colour, surface texture, translucency and opacity create the intoxicating atmosphere of an engaging story? (Mark Jessett)
How is one influenced by the issues that have a strong meaning to them? (Jenny Smy)
How is a person’s connection to a place expressed as they experience it over changing time? (Sam Boughton & ashar)
And how do we pull together the pieces, things collected and held, as we create? (Lisa Parkyn)
These are works that whilst not necessarily representative of what the eye interprets at the surface level, are no less a way of seeing and experiencing the subject portrayed. And this is what these spaces offer: an alternative way of experiencing, a model for interpreting the world around us that is not limited or prescriptive, that invites us to see through innumerable lenses be they time, emotion, colour or energy.
Join us for our August exhibitions as we continue our Bursary Programme and welcome a group of artists working in abstraction, with works that reflect their individual responses to the world around them.
Works of Mark Jessett, Lisa Parkyn, Jenny Smy, ashar, Ian Watson and Sam Boughton.
Exhibiting Artists
